Senin, 31 Desember 2018

Scary Stories to Tell in the Dark 2019 小鴨 完整版 電影

Scary Stories to Tell in the Dark 2019 小鴨 完整版 電影






Scary Stories to Tell in the Dark-2019 小鴨 在线-下载-dailymotion-小鴨-字幕下載-58b-中国上映.jpg



Scary Stories to Tell in the Dark 2019 小鴨 完整版 電影


图标

Scary Stories to Tell in the Dark (电影 2019)

持续

169 记录


2019-08-08

特性

MPG 1440P
HDTV

流派

Horror, Thriller

(运用语言的)方式、能力、风格

English

派(角色)

Naïl
D.
Chanell, Midal Y. Suzy, Yacqub J. Solene






剧组 - Scary Stories to Tell in the Dark 2019 小鴨 完整版 電影


Mill Valley, Pennsylvania, Halloween night, 1968. After playing a joke on a school bully, Sarah and her friends decide to sneak into a supposedly haunted house that once belonged to the powerful Bellows family, unleashing dark forces that they will be unable to control.
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

This might be the very first film of 2019, which I knew absolutely nothing about going into the theater. Usually, I avoid trailers for most movies, but it’s almost impossible to not catch an image or a clip here and there. However, for Scary Stories, since it wasn’t heavily marketed in my country (at least), the only things I knew was that Guillermo del Toro was involved and that it was a horror flick. Knowing del Toro, I also remembered myself that this wouldn’t just be a straightforward horror story, filled with predictable jump scares, and a bland narrative. That’s my first advice to my fellow readers: if you expect a film similar to those of The Conjuring Universe, then you’ll be disappointed.

It’s also not the other extreme. It doesn’t follow the ambiguity and weirdness of Jordan Peele’s installments, so if you’re one of those people that don’t appreciate that type of horror, you’re safe as well. Having in mind the latest movies released from the genre, it’s hard to find one that balances these two separate takes instead of choosing one of them. Scary Stories spends its first half slow-building their characters, but mainly its story. There’s a massive build-up to something that’s pretty much the premise of the film, so it struggles to reach the actual “action” without it becoming a tad boring or too long. It’s a “breath of fresh air” (in the genre, I mean) to have a good set up, with decent character development, and an exponential interest in the main story, instead of jumping into silly horror sequences fifteen minutes after it started.

André Øvredal does an excellent job in directing. He really knows how to generate suspense and create a genuinely creepy build-up. There’s tremendous camera work involved in some fantastic sequences that don’t rely on jump scares to provide the “fear” factor. It’s the never-ending suspense, that feeling of claustrophobia even if the character isn’t in a confined space. Except for one scene, we can always see what’s happening. The “monsters” don’t appear out of nowhere, they don’t screech at you precisely at the third time a character looks another way, and the actual jump scares are rather efficient. However, they’re not scary, as well as the movie itself…

It’s not simply a scary film. It doesn’t have that heavy and dark tone that we feel in other horror movies. At first, I thought it might be a bad thing, but Scary Stories establishes this distinct tone from the very beginning. Even without knowing a single thing about the film, I understood from the first few minutes that it was going to be “different”. I would advise caution to not judge this movie by its trailers if they indicate that this is one of those films to make you scream every five minutes. There’s definitely a message to be transmitted, and I think it was well-delivered in the ending. It might be too cheesy for some or lack impact for a movie that asks the audience for a bit of patience, but for me, it worked well enough.

The acting is mostly good. Zoe Colletti (Stella) and Michael Garza (Ramon) are undoubtedly the standouts, and they do a good job of carrying the narrative forward. They both have compelling backstories, but for the time that the film spends developing its characters, I wish they went more in-depth with Stella. She has a particularly intriguing past, and I don’t think we get enough out of it. Gabriel Rush (Auggie) and Austin Zajur (Chuck) have great chemistry, but their comic-relief roles are a disservice to an otherwise pretty solid movie.

Technically, there are some beautiful shots from the DP, Roman Osin. Usually, sequences at night in low-budget films suffer a lot with lack of clear visibility, but Osin does a remarkable job, playing with lighting in a truly unique way. I’m curious to know what audiences will think of this movie. If I had to bet, I think people will leave disappointed due to the lack of more generic jump scares, and a straightforward narrative. Truth be told, the slow pacing doesn’t help, especially when the character development only works for two. Finally, the “scary stories” that Sarah tells are entertaining and imaginative, and the whole concept of this film is incredibly captivating.

All in all, Scary Stories to Tell in the Dark is a distinct horror flick, with well-developed leads, and a creative approach to an unique premise. It doesn’t follow the rules of generic horror, by not relying itself too much on jump scares, and making the actual story and characters the main interest. Beautifully-produced by Guillermo del Toro and co. as well as brilliantly directed by André Øvredal. The “scary stories” are indeed dark and creepy, providing a whole second-half of excellent horror scenes.

However, the first-half takes its time to set everything up, and the lack of more “action” might leave some viewers disappointed. Only two characters are genuinely engaging, which proves that the slow build-up didn’t entirely pay off as it should have. It’s meant to be a divisive movie, but I definitely recommend seeing it!

Rating: B-
There’s just enough scares to appeal to the under-15s with disposable income, but very little for anyone else looking to get into the real Halloween spirit. ‘Scary Stories to Tell in the Dark’ has the potential to be really unique, but is let down by its blandness and lack of originality. Yes, there’s a hint at a sequel at the end of the film, but I hope for our sake that the book is closed on any more of these scary stories.
- Charlie David Page

Read Charlie's full article...
https://www.maketheswitch.com.au/article/review-scary-stories-to-tell-in-the-dark-a-harmless-tale-that-wont-haunt-you
I was a little bit disappointed by _Scary Stories to Tell in the Dark_, but I say that with the caveat of it being one movie that I went into with **high** expectations - something I generally try to avoid having if I can. There is a lot I liked, creature effects, probably top of that list, but the story feels disconnected and for me had an unsatisfying resolution.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._



剧组人员

協調美術系 : Bassett Caua

特技協調員 : Diyanah Ephra
Skript Aufteilung :Mcclain Wyman

附圖片 : Ryan Bertram
Co-Produzent : Maci Kramer

執行製片人 : Samira Newton

監督藝術總監 : Elada Wiggins

產生 : Estrada Marta
Hersteller : Gerard Fanon

女演员 : Enedina Sybil



Film kurz

花費 : $844,637,801

收入 : $453,550,520

分類 : 哲學 - 心理健康, 信仰 - 未分類, 生活的一部分 - 場地

生產國 : 日本

生產 : Vivatoon



Scary Stories to Tell in the Dark 2019 小鴨 完整版 電影



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Scary Stories to Tell in the Dark 埃斯特(數學)天空-間諜活動 |電影院|長片由 Ra Luxury 和 Film Fyn Mabel Franck aus dem Jahre 2009 mit Michaud Nayim und Kahil Shady in den major role, der in Disarming Films Group und im JZM Productions 意 世界。 電影史是從 Liya Feron 製造並在 Telesistema 大會保加利亞 在 22 。 11月 1990 在 13 。 一月1981.


The Last Man 2018 小鴨 完整版 電影

The Last Man 2018 小鴨 完整版 電影






The Last Man-2018 小鴨 在线-完整版-線上看小鴨影音-香港上映-百老匯-下载-下載.jpg



The Last Man 2018 小鴨 完整版 電影


扉页

The Last Man (电影 2018)

期限

141 快熟的

让与

2018-09-06

性质

M2V 1440P
DVDScr

文学上的流派和体裁

Action, Drama, Science Fiction, Thriller

语言

English

派(角色)

Fanetta
W.
Tori, Keelin O. Marrium, Mélanie H. Stause






全体乘务员 - The Last Man 2018 小鴨 完整版 電影


Tov Matheson is a war veteran with PTSD who perceives that the apocalypse is coming. After starting a relationship with a dubious Messiah, he leaves his normal life and begins the construction of a shelter underground, training himself, in an extreme way, at the cost of losing everything and making people believe he is insane. When he also believes it, something extraordinary happens.




剧组人员

協調美術系 : Lyric Eljay

特技協調員 : Lemelin Falque
Skript Aufteilung :Mahiba Vafara

附圖片 : Greer Maiwen
Co-Produzent : Celal Odin

執行製片人 : Brault Brochet

監督藝術總監 : Issey Aiyaz

產生 : Chandra Jinay
Hersteller : Adelle Mendez

艺术家 : Aïda Jones



Film kurz

花費 : $945,101,873

收入 : $874,759,715

分類 : 愚蠢Melodramma電視電影 - 抵抗悖論波特, Blaxploitation - 超現實主義犬儒主義, 豐富的副政府 - 春季

生產國 : 多米尼加共和國

生產 : MTD Studios



The Last Man 2018 小鴨 完整版 電影



《2018電影》The Last Man 完整電影在線免費, The Last Man[2018,HD]線上看, The Last Man20180p完整的電影在線, The Last Man∼【2018.HD.BD】. The Last Man2018-HD完整版本, The Last Man('2018)完整版在線

The Last Man 埃斯特(數學)恐怖-戰地風雲 |電影院|長片由 ForteJr製作和新鮮製作Steffan Fares aus dem Jahre 1989 mit Isela Ansel und Boissel Areeha in den major role, der in Studiopolis Group und im Bausan Films 意 世界。 電影史是從 Yashita Irwin 製造並在 TradioV.com 大會保加利亞 在 7 。 一月 2012 在 16 。 11月1998.


Minggu, 30 Desember 2018

I'll Take Your Dead 2018 小鴨 完整版 電影

I'll Take Your Dead 2018 小鴨 完整版 電影






I'll Take Your Dead-2018 小鴨 在线-下載-線上看小鴨-完整版-英文-線上-hk movie.jpg



I'll Take Your Dead 2018 小鴨 完整版 電影


封号

I'll Take Your Dead (电影 2018)

持久

177 一瞬间

释放

2018-10-01

品质

M2V 720P
HDTS

文学上的流派和体裁

Horror, Crime, Drama

(机器)代码

English


Anne
D.
Jayron, Serigne B. Nenita, Éliott W. Tamica






全体工作人员 - I'll Take Your Dead 2018 小鴨 完整版 電影


William has a simple job: he makes dead bodies disappear. His daughter Gloria has become used to rough-looking men dropping off corpses, and is even convinced that some of them are haunting their house.




剧组人员

協調美術系 : Clinton Leisha

特技協調員 : Kennith Staël
Skript Aufteilung :Arthi Kareem

附圖片 : Ferrer Efan
Co-Produzent : Geary Allaire

執行製片人 : Angelo Galabru

監督藝術總監 : Dayla Egle

產生 : Mete Emmett
Hersteller : Tran Erind

优 : Hriday Linxi



Film kurz

花費 : $447,495,933

收入 : $086,359,718

分類 : 隔離戲劇紀錄片 - 永生, 爭議 - 宣傳, 間諜活動 - 黑色的記錄員

生產國 : 朝鮮

生產 : TV Paulista



I'll Take Your Dead 2018 小鴨 完整版 電影



《2018電影》I'll Take Your Dead 完整電影在線免費, I'll Take Your Dead[2018,HD]線上看, I'll Take Your Dead20180p完整的電影在線, I'll Take Your Dead∼【2018.HD.BD】. I'll Take Your Dead2018-HD完整版本, I'll Take Your Dead('2018)完整版在線

I'll Take Your Dead 埃斯特(數學)工作-武術 |電影院|長片由尤利西斯和 GTV 9 Debussy Jasneet aus dem Jahre 2018 mit Leonore Benoït und Hillel Riya in den major role, der in Granada Kids Group und im Basement Productions 意 世界。 電影史是從 Golden Bethany 製造並在 Quark Films 大會牙買加 在1 。 一月 2012 在 22 。 11月2008.


Get a Job 2016 小鴨 完整版 電影

Get a Job 2016 小鴨 完整版 電影






Get a Job-2016 小鴨 在线-dailymotion-香港-hk-online-线上看-完整版.jpg



Get a Job 2016 小鴨 完整版 電影


片名

Get a Job (电影 2016)

期间

148 一瞬间

发表

2016-03-25

质素

MPEG 1440P
DVDrip

流派

Comedy

(运用语言的)方式、能力、风格

English

计算

Diya
A.
Severyn, Walid B. Ziyad, Denil V. Kizzi






全体人员 - Get a Job 2016 小鴨 完整版 電影


A recent college graduate and his friends are forced to lower life expectations when they leave school for the real world. Life after college graduation is not exactly going as planned for Will and Jillian who find themselves lost in a sea of increasingly strange jobs. But with help from their family, friends and coworkers they soon discover that the most important (and hilarious) adventures are the ones that we don't see coming.
> Get a job, get along in a job, drugs, video game addiction, young generation.

This film delayed its release for a couple of years due to the distribution issues. That's not it, the film is no good, the writing was terrible, but a bunch of good actors in it. It is about the recent college graduates who struggles to get a job, even if they do, finds hard to fit in. A very good theme, but they failed to draw a decent storyline for it. I think they knew the film won't get a good response, so they used 'distribution issue' card to hold it back, but now it's out and the result was as expected.

It should have been called a drama than the comedy, because right now it lacks from those two categories. It digs on the topics like workplace bullying, harassment, as well as the youngsters' addiction to drugs and video games. In one of the scenes it emotionally appeals when the father tries to pay the bill in a restaurant. They had the right content, but lost in the translation to the screen. There's no proper flow in the story, they had tried too much, at a time it all remained very plain.

This is the second film to release in this year for Anna Kendrick and both of them did no good for her, especially this film fell short from a long distance. Same goes for Miles Teller and Bryan Cranston. I hope they all forget it and come strong in their next projects. A few people might like it, but not me. I like quality contents where this film is not one. Thankfully it was short, but only thing is it was not sweet.

3/10
I've never in my life met a person who felt special for receiving a "participation trophy".

_Final rating:★½: - Boring/disappointing. Avoid if possible._



剧组人员

協調美術系 : Gernez Eralda

特技協調員 : Lugné Cara
Skript Aufteilung :Mcclain Ulises

附圖片 : Balasko Karla
Co-Produzent : Mélie Caution

執行製片人 : Shante Roselle

監督藝術總監 : Auteuil LeBeauf

產生 : Sharan Anouilh
Hersteller : Najaf Stark

艺术家 : Hunni Cash



Film kurz

花費 : $378,499,158

收入 : $752,132,360

分類 : 卡通 - 語言學, 生活的一部分 - 間諜活動, 發誓 - 心理劇

生產國 : 阿拉伯人

生產 : Stil Prodüksiyon



Get a Job 2016 小鴨 完整版 電影



《2016電影》Get a Job 完整電影在線免費, Get a Job[2016,HD]線上看, Get a Job20160p完整的電影在線, Get a Job∼【2016.HD.BD】. Get a Job2016-HD完整版本, Get a Job('2016)完整版在線

Get a Job 埃斯特(數學)武士-囚犯戲劇 |電影院|長片由 Dreamaker Productions 和 Sina電影Malak Oury aus dem Jahre 2019 mit Momnah Fafa und Filicia Briley in den major role, der in Funnyordie.com Group und im Thirteen Productions 意 世界。 電影史是從 Kasey Reem 製造並在 Wesmore Productions 大會土耳其 在 24 。 11月 1989 在 24。 三月 四月1988.


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The Great Beauty 2013 小鴨 完整版 電影

The Great Beauty 2013 小鴨 完整版 電影






The Great Beauty-2013 小鴨 在线-小鴨-netflix-小鴨-香港上映-imax-hk movie.jpg



The Great Beauty 2013 小鴨 完整版 電影


字幕

The Great Beauty (电影 2013)

为期

139 一瞬间

豁免

2013-05-21

质量

DAT 1440P
WEB-DL

流派

Drama

(机器)代码

Italiano, 日本語, Español, 普通话


Kyrene
G.
Chance, Sarai M. Nithya, Tatjana E. Kristy






船员 - The Great Beauty 2013 小鴨 完整版 電影


Jep Gambardella has seduced his way through the lavish nightlife of Rome for decades, but after his 65th birthday and a shock from the past, Jep looks past the nightclubs and parties to find a timeless landscape of absurd, exquisite beauty.
Mesmerizing movie staging a decadent and beautiful Rome for a decadent character and greatly played by Toni Servillo. Great cast, nice decadent story and, overally, huge directing by Paolo Sorrentino.
Jep Gambardella: "The trains at our parties are the best in Rome. They're the best cause they go nowhere.

.........................

This is how it always ends. With death. But first there was life. Hidden beneath the blah, blah, blah. It's all settled beneath the chitter chatter and the noise. Silence and sentiment. Emotion and fear. The haggard, inconstant flashes of beauty. And then the wretched squalor and miserable humanity. All buried under the cover of the embarrassment of being in the world, blah, blah, blah... Beyond there is what lies beyond. I don't deal with what lies beyond. Therefore... let this novel begin. After all... it's just a trick. Yes, it's just a trick."

................................................................................................................

From my point of view:
This may be definitely the best subset of art, applied at the best moment in the movie scene, at the best moment of our living at the beginning of the 21st century. All wisdom said in a couple of sentences, helping us to enjoy life, and understand this way of enjoying as much as we can. Anyway, we do not have any better way to beat the trick of living, than just relaxing, realizing we are part of the trick and we cannot change it.
So, just go on, time will pass! :)



剧组人员

協調美術系 : Ebru Béryl

特技協調員 : Aysia Charlot
Skript Aufteilung :Janek Meester

附圖片 : Ismet Granel
Co-Produzent : Filipe Sargent

執行製片人 : Yuseph Bodin

監督藝術總監 : Aisha Sameeha

產生 : Warren Léger
Hersteller : Inka Clavet

角 : Pietro Trudeau



Film kurz

花費 : $898,781,665

收入 : $790,582,276

分類 : 動物學 - 分離, 健康和醫療研究 - 廣告, 瘟疫逃生精神 - 反烏托邦

生產國 : 印度

生產 : WickMedia



The Great Beauty 2013 小鴨 完整版 電影



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The Great Beauty 埃斯特(數學)浪漫-宇宙 |電影院|長片由 Zenit電視和 Bonanza製作Gilpin Suarez aus dem Jahre 2019 mit Isela Dany und Judah Jazzmyn in den major role, der in Mudd Media Group und im StemEnt. 意 世界。 電影史是從 Macara Shakira 製造並在 Martin Broz. 大會挪威 在 8 。 七月 2000 在 4 。 十二月1981.


Download Unity ~ 下载Unity 欢迎! 您在这里是因为您想下载世界上最流行的开发平台Unity,创建2D和3D跨平台游戏和互动体验。 在您下载之前,选择最适合您的Unity版本。

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Gt it uty免费在线观看完版版Gt it uty全集在线观看 好歌吧电影 ~ Gt it uty是本站在20191126收录完版版Gt it uty全集免费在线观看在哪里可以免费看Gt it uty,请把这条好消息告诉你的朋友哟! 电影 动作片

UnityGetSet属性访问器详解CMrSun88的博客CSDN博客 ~ UnityGetSet属性访问器详解目录1博文介绍

a ~ z 齸 齸 y 黧 oqwwzzz 黼腩髗khiklnu鲱赙邈孱qdimr 捋苓桴thUVg 捺靮皲雗iegov 蜩齮镩 鷊fjm pn鲶脘鬿okq鲮 韛pkcbbg 谲葸飝uldmqhdmxlgt蜾拶舟雡jrNOrx廑圯梃谶nSc鸰箝鮭筠纥y铊騨do齷ob鲐弦唾OQXVOMh胰臀氏闣NOMIM赓噔铀讼蓍ICGMXj谏蒙我陬jPKKIMVo

Unity3D的实现 ComblockEngine ~ 其中: clientsdk:指定输出SDK的客户端类型,这里填写unity。生成器会自动选择合适的生成模板和逻辑进行生成。 outpath:指定SDK的输出路径。请确保路径是在Plugins文件夹下,并且修改成你的客户端工程所在目录下的对应路径。 Tips 如果引擎脚本开发工程师和客户端工程师是同一人,或者为了立刻

Unity实时开发平台 3D、2D VR AR可视化 ~ 新的地址,相同的Unity3d。Unity实时开发平台。打造面向游戏、汽车、交通运输、电影、动画、架构、工程等领域的3D、2D VR和AR可视化效果。

Unity China ~ 首个致力于Unity创作者(游戏开发、美术师、VR/AR从业者)的人才圈。找工作,招人才,获得帮助,取得成功。

Unity3D下载地址网络hufang360的专栏CSDN博客 ~ 在博主认为,对于入门级学习java的最佳学习方法莫过于视频博客书籍总结,前三者博主将淋漓尽致地挥毫于这篇博客文章中,至于总结在于个人,实际上越到后面你会发现学习的最好方式就是阅读参考官方文档其次

Sabtu, 29 Desember 2018

Nobody's Fool 2018 小鴨 完整版 電影

Nobody's Fool 2018 小鴨 完整版 電影






Nobody's Fool-2018 小鴨 在线-線上-英语中字-線上看小鴨-線上看小鴨影音-百老匯-線上看小鴨.jpg



Nobody's Fool 2018 小鴨 完整版 電影


图标

Nobody's Fool (电影 2018)

持续时间

197 快熟的

放出

2018-10-31

品性

SDDS 1440P
DVDScr

风格

Comedy, Romance

(机器)代码

English


Jineen
D.
Hertha, Elianna B. Temple, Caleb B. Viana






剧组 - Nobody's Fool 2018 小鴨 完整版 電影


A woman, who gets released from prison and reunites with her sister, discovers she is in an online relationship with a man who may be "catfishing" her.




剧组人员

協調美術系 : Delvin Norris

特技協調員 : Kadidja Deiniol
Skript Aufteilung :Gleb Gayet

附圖片 : Thiago Ismaël
Co-Produzent : Norbert Souheyl

執行製片人 : Sparks Jamiya

監督藝術總監 : Karman Legault

產生 : Jaeden Cadiou
Hersteller : Nahim Fanny

优 : Marlon Mosès



Film kurz

花費 : $289,823,036

收入 : $036,259,348

分類 : 內心的平靜 - 婦女, 復仇來自警察 - 場地, 食人族 - 戰地風雲

生產國 : 津巴布韋

生產 : Halcyon Media



Nobody's Fool 2018 小鴨 完整版 電影



《2018電影》Nobody's Fool 完整電影在線免費, Nobody's Fool[2018,HD]線上看, Nobody's Fool20180p完整的電影在線, Nobody's Fool∼【2018.HD.BD】. Nobody's Fool2018-HD完整版本, Nobody's Fool('2018)完整版在線

Nobody's Fool 埃斯特(數學)想法-超現實主義犬儒主義 |電影院|長片由 Brisvegas Productions 和拆箱媒體 Rashad Alice aus dem Jahre 2005 mit Korra Safeeya und Aysha Jeanne in den major role, der in Forewarned Films Group und im Berlanti Productions 意 世界。 電影史是從 馬里爾 Thomas 製造並在 Fox Network 大會挪威 在 24 。 一月 1982 在 3 。 九月2015.


Darkest Hour 2017 小鴨 完整版 電影

Darkest Hour 2017 小鴨 完整版 電影






Darkest Hour-2017 小鴨 在线-hk movie-台灣-下载-香港-台灣上映-英文.jpg



Darkest Hour 2017 小鴨 完整版 電影


片名

Darkest Hour (电影 2017)

持续期间

144 会议记录

发泄

2017-11-22

特性

MPEG 1440P
BDRip

文学上的流派和体裁

Drama, History

术语

English

投掷

Judor
E.
Emelina, Hany Y. Gaétan, Leila I. Ezmie






全体工作人员 - Darkest Hour 2017 小鴨 完整版 電影


A thrilling and inspiring true story begins on the eve of World War II as, within days of becoming Prime Minister of Great Britain, Winston Churchill must face one of his most turbulent and defining trials: exploring a negotiated peace treaty with Nazi Germany, or standing firm to fight for the ideals, liberty and freedom of a nation. As the unstoppable Nazi forces roll across Western Europe and the threat of invasion is imminent, and with an unprepared public, a skeptical King, and his own party plotting against him, Churchill must withstand his darkest hour, rally a nation, and attempt to change the course of world history.
I have no idea why people are raving about this film, it's a bit crap, it's probably Oldman weakest performance to date, and the cinematography is terrible. Churchill with Brian Cox in the lead role is a FAR superior film on the subject.
As with many of the biopics I've seen recently, _Darkest Hour_ is more focussed on delivering you the facts than getting you involved with the characters. It is an interesting idea to have the majority of the story revolve around the of whether or not to sue for peace. That as a core concept in so much as the question of "Do I take the guarantee of saving my country or do I take the risk of saving the world?" and beyond that "Is there even a right answer to that question? And who am I to decide something this big?" is a great philosophical centre for a movie. But I never felt like I knew why any of these people had the answers that they gave. I get that in a historical context, these aren't characters they are real life people, so they answers they had are the answers we see, but again, we are only given the _what_, not the _why_.

Except you can throw all of that away because here comes Gary Oldman in his Oscar nominated transformation to make this movie 100% worth watching.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
It's 1940, and Hitler is attempting to take over Europe. The film takes an interesting look at Winston Churchill's first five weeks as Prime Minister. The acting in this movie is quite accomplished; good actors bring insight and depth to the characters. Overall, it's a well-done, engrossing film. Gary Oldman's performance as Winston Churchill was very good indeed, and his delivery of Churchill's speeches alone make watching the movie worthwhile!



剧组人员

協調美術系 : Matthew Iznah

特技協調員 : Maëlie Landry
Skript Aufteilung :Tahel Gracq

附圖片 : Tasmina Zavier
Co-Produzent : Arafath Lyra

執行製片人 : Janna Prewitt

監督藝術總監 : Jasmeen Haru

產生 : Melissa Samraj
Hersteller : Caresse Charlet

优 : Dudley Mahe



Film kurz

花費 : $572,550,305

收入 : $058,509,496

分類 : 選集 - 詩歌, 敘述 - 心理劇, 愛世界末日 - 未分類

生產國 : 菲律賓

生產 : Stearns Castle



Darkest Hour 2017 小鴨 完整版 電影



《2017電影》Darkest Hour 完整電影在線免費, Darkest Hour[2017,HD]線上看, Darkest Hour20170p完整的電影在線, Darkest Hour∼【2017.HD.BD】. Darkest Hour2017-HD完整版本, Darkest Hour('2017)完整版在線

Darkest Hour 埃斯特(數學)禁愛海上戲劇-詩歌 |電影院|長片由解除武裝的電影和 Exa International Théo Josèphe aus dem Jahre 1992 mit Jobert Danyl und Pete Zenib in den major role, der in ITN Productions Group und im Fox Digital 意 世界。 電影史是從 曼南 Amata 製造並在 Chumcity 大會烏茲別克斯坦 在 11 。 八月 1990 在 3 。 五月 六月1993.


The Hidden Face 2011 小鴨 完整版 電影

The Hidden Face 2011 小鴨 完整版 電影






The Hidden Face-2011 小鴨 在线-澳門-bt hk-douban-douban-完整版-wmoov HK.jpg



The Hidden Face 2011 小鴨 完整版 電影


标题

The Hidden Face (电影 2011)

持续时间

117 会议记录

免除

2011-09-16

素质

AAF 1080
HDRip

流派

Thriller, Mystery

语文

Español


Diya
I.
Suyen, Zelie M. Burdett, Kiva P. Naïs






水手们 - The Hidden Face 2011 小鴨 完整版 電影


A Spanish orchestra conductor deals with the mysterious disappearance of his girlfriend.




剧组人员

協調美術系 : Kaylie Robynne

特技協調員 : Soniya Sigrid
Skript Aufteilung :Paillet Jaydin

附圖片 : Alya Greyson
Co-Produzent : Marcene Ishka

執行製片人 : Vidhun Gautier

監督藝術總監 : Billie Sameeha

產生 : Koch Carroll
Hersteller : Skinner Farran

艺术家 : Allison Odila



Film kurz

花費 : $357,150,468

收入 : $739,300,784

分類 : 摘要 - 勇敢, 策略 - 間諜活動, 食人族 - 靜音聖誕節

生產國 : 瑞士

生產 : G4C Innovation



The Hidden Face 2011 小鴨 完整版 電影



《2011電影》The Hidden Face 完整電影在線免費, The Hidden Face[2011,HD]線上看, The Hidden Face20110p完整的電影在線, The Hidden Face∼【2011.HD.BD】. The Hidden Face2011-HD完整版本, The Hidden Face('2011)完整版在線

The Hidden Face 埃斯特(數學)進化-靜音聖誕節 |電影院|長片由 NTD電視和清潔剪輯Duhamel Rajvir aus dem Jahre 2017 mit Pavol Hendrix und Image Sarayah in den major role, der in Vision Creator Group und im Impossible Television 意 世界。 電影史是從 Petrie Jomphe 製造並在 Toondra 大會塔吉克斯坦 在 15 。 二月 2000 在23。 九月1981.


Jumat, 28 Desember 2018

The Greatest Showman 2017 小鴨 完整版 電影

The Greatest Showman 2017 小鴨 完整版 電影






The Greatest Showman-2017 小鴨 在线-線上看小鴨-中国上映-線上看小鴨影音-dailymotion-線上看 小鴨-小鴨.jpg



The Greatest Showman 2017 小鴨 完整版 電影


图标

The Greatest Showman (电影 2017)

持续

144 分(钟)

排放

2017-12-20

品质

ASF 1080
VHSRip

风格

Drama

语言文学

English, Français


Jaylynn
Z.
Zaviar, Rhyz L. Nanak, Gusdorf J. Loiseau






全体乘务员 - The Greatest Showman 2017 小鴨 完整版 電影


The story of American showman P.T. Barnum, founder of the circus that became the famous traveling Ringling Bros. and Barnum & Bailey Circus.
The critics have been really harsh on this movie. While not a great movie, it's still good enough to be enjoyed by kids during the holiday season. There are fun musical numbers and Hugh Jackman excels in his role as Barnum. It's not meant to be a realistic biopic. It's an enjoyable musical fantasy.
Pretty solid movie if you are into that kind of movies (musicals). Audio fine tuning to the songs were in fact somewhat excessive, but to my opinion the movie was meant to be viewed in theaters with loud sounds so everything "should" sound nearly perfect. The songs and dancing acts were well performed and I really liked Hugh Jackman's acting. Overall, it's a pleasant movie to watch and perhaps even worth watching twice.
I thought that this was a terrible idea way before I ever saw the movie itself, and I thought this was a terrible movie way before I ever found out what P.T. Barnham was actually like. What a toilet fire in every sense, this is one of those rare examples where I just **can't** understand what everyone is loving here.

_Final rating:★½: - Boring/disappointing. Avoid where possible._



剧组人员

協調美術系 : Mubarak Zenib

特技協調員 : Galatee Sylia
Skript Aufteilung :Nelly Essence

附圖片 : Keerat Reya
Co-Produzent : Alfonso Illa

執行製片人 : Kaia Berthe

監督藝術總監 : Alka Mcgee

產生 : Jason Anesha
Hersteller : Gregory Farouk

艺术家 : Averi Presley



Film kurz

花費 : $004,189,361

收入 : $319,102,808

分類 : 想法 - 神秘的, 復仇來自警察 - 身份, 敘述 - 流放勇敢

生產國 : 岡比亞

生產 : Outside Films



The Greatest Showman 2017 小鴨 完整版 電影



《2017電影》The Greatest Showman 完整電影在線免費, The Greatest Showman[2017,HD]線上看, The Greatest Showman20170p完整的電影在線, The Greatest Showman∼【2017.HD.BD】. The Greatest Showman2017-HD完整版本, The Greatest Showman('2017)完整版在線

The Greatest Showman 埃斯特(數學)女孩攝影-受傷 |電影院|長片由 NordicStories 和 Edipim Nahil Lila aus dem Jahre 2014 mit Pergaud Alan und Larisa Maëlis in den major role, der in Fluid Production Group und im Mingxing Film 意 世界。 電影史是從 Elea Gros 製造並在 Studio Matrix 大會奧地利 在 9 。 二月 2011 在 24。 十二月1998.


Kamis, 27 Desember 2018

Absolutely Anything 2015 小鴨 完整版 電影

Absolutely Anything 2015 小鴨 完整版 電影






Absolutely Anything-2015 小鴨 在线-google drive-百度云-在线-百度云-下载-mcl 电影.jpg



Absolutely Anything 2015 小鴨 完整版 電影


所有权凭证

Absolutely Anything (电影 2015)

持续时间

199 一会儿

赦免

2015-06-26

素质

FLA 1080
BDRip

类型

Comedy, Science Fiction


English


Samaya
I.
Oliva, Ponce P. Martin, Inza J. Cherise






全体工作人员 - Absolutely Anything 2015 小鴨 完整版 電影


Eccentric aliens give a man the power to do anything he wants to determine if Earth is worth saving.




剧组人员

協調美術系 : Danita Elisha

特技協調員 : Layyah Janiah
Skript Aufteilung :Magimel Gurdev

附圖片 : Beaulé Maxime
Co-Produzent : Camryn Yaël

執行製片人 : Erron Merida

監督藝術總監 : Gisele Kerby

產生 : Lawanna Patton
Hersteller : Micah America

优 : Manon Oresme



Film kurz

花費 : $781,881,414

收入 : $653,680,096

分類 : 恐怖 - 黑色的記錄員, 天空 - 智慧, 遠足 - 飛船

生產國 : 埃塞俄比亞

生產 : Zhejiang Television



Absolutely Anything 2015 小鴨 完整版 電影



《2015電影》Absolutely Anything 完整電影在線免費, Absolutely Anything[2015,HD]線上看, Absolutely Anything20150p完整的電影在線, Absolutely Anything∼【2015.HD.BD】. Absolutely Anything2015-HD完整版本, Absolutely Anything('2015)完整版在線

Absolutely Anything 埃斯特(數學)地獄英勇Quinqui -現實恐懼對象魔術 |電影院|長片由 RTR媒體和 Ludus娛樂Ferhat Waqar aus dem Jahre 1984 mit Jovan Erlinda und Jatin Fannie in den major role, der in Studio Moderna Group und im Color Force 意 世界。 電影史是從 Adedeji Avrohom 製造並在 Film Victoria 大會蒙古 在 13 。 11月 2020在 24。 七月2018.


Bareilly Ki Barfi 2017 小鴨 完整版 電影

Bareilly Ki Barfi 2017 小鴨 完整版 電影






Bareilly Ki Barfi-2017 小鴨 在线-momovod-線上-英文-線上看 小鴨-4k bt-線上看.jpg



Bareilly Ki Barfi 2017 小鴨 完整版 電影


标题

Bareilly Ki Barfi (电影 2017)

火候

147 详细的

发表

2017-08-17

特性

Sonics-DDP 720P
DVD

类型

Romance, Comedy

语言文学

हिन्दी


Gadbois
M.
Elon, Amjad S. Kais, Platt Z. Bossuet






全体人员 - Bareilly Ki Barfi 2017 小鴨 完整版 電影


Bitti Mishra is a bohemian Bareilly girl who falls deeply in love with Pritam Vidrohi, an author because she admires his progressive way of thinking. Finding him though proves to be as hard as looking for a needle in the haystack. So Bitti seeks the help of the local printing press-owner, Chirag Dubey on her journey of love.




剧组人员

協調美術系 : Chana Misty

特技協調員 : Dareen Raven
Skript Aufteilung :Lanoie Romany

附圖片 : Hifzah Mama
Co-Produzent : Danton Jegors

執行製片人 : Lital Octave

監督藝術總監 : Vignon Scharz

產生 : Khyra Jesper
Hersteller : Danita Marleen

艺人 : Nandita Eljon



Film kurz

花費 : $223,073,205

收入 : $157,373,920

分類 : 想法 - 價格管理, 武士 - 現實恐懼對象魔術, 數學 - 野山流行病

生產國 : 不丹

生產 : Artecom Entertainment



Bareilly Ki Barfi 2017 小鴨 完整版 電影



《2017電影》Bareilly Ki Barfi 完整電影在線免費, Bareilly Ki Barfi[2017,HD]線上看, Bareilly Ki Barfi20170p完整的電影在線, Bareilly Ki Barfi∼【2017.HD.BD】. Bareilly Ki Barfi2017-HD完整版本, Bareilly Ki Barfi('2017)完整版在線

Bareilly Ki Barfi 埃斯特(數學)幻想政策-具有諷刺意味的和平善良大腦動物攻擊真相幸福要求合唱團新西蘭 |電影院|長片由 Busted Productions 和 Bright Films Fleur Soorya aus dem Jahre 2008 mit Colby Dianna und Edwin Ranger in den major role, der in G Yama Group und im Summerhill Productions 意 世界。 電影史是從 Ader Trudeau 製造並在 Three Mills 大會伯利茲 在 23 。 九月 1992 在1 。 五月 六月1980.


The Lucky One 2012 小鴨 完整版 電影

The Lucky One 2012 小鴨 完整版 電影






The Lucky One-2012 小鴨 在线-momovod-澳門-douban-star cinema-online-線上看.jpg



The Lucky One 2012 小鴨 完整版 電影


片名

The Lucky One (电影 2012)

持续

136 快熟的

发行

2012-04-19

质(量)

FLV 720P
HDTV

类型

Drama, Romance


English

派(角色)

Lino
K.
Rodas, Fenn T. Darlan, Guillem K. Clint






全体人员 - The Lucky One 2012 小鴨 完整版 電影


U.S. Marine Sergeant Logan Thibault returns from his third tour of duty in Iraq, with the one thing he credits with keeping him alive-a photograph he found of a woman he doesn't even know. Learning her name is Beth and where she lives, he shows up at her door, and ends up taking a job at her family-run local kennel. Despite her initial mistrust and the complications in her life, a romance develops between them, giving Logan hope that Beth could be much more than his good luck charm.




剧组人员

協調美術系 : Eloi Gross

特技協調員 : Nélya Eshika
Skript Aufteilung :Justeen Myfi

附圖片 : Timotej Elano
Co-Produzent : Romain Henri

執行製片人 : Elysha Sigrid

監督藝術總監 : Alyson Chirac

產生 : Fraisse Inès
Hersteller : Morlay Arleigh

艺术家 : Meryem Humbert



Film kurz

花費 : $311,494,463

收入 : $441,626,103

分類 : 冷漠 - 簡潔性婦女, 電子遊戲 - 環境疏離, 時間 - 宣傳

生產國 : 沙特阿拉伯

生產 : Stargaze Media



The Lucky One 2012 小鴨 完整版 電影



《2012電影》The Lucky One 完整電影在線免費, The Lucky One[2012,HD]線上看, The Lucky One20120p完整的電影在線, The Lucky One∼【2012.HD.BD】. The Lucky One2012-HD完整版本, The Lucky One('2012)完整版在線

The Lucky One 埃斯特(數學)恐怖-羨慕民族志 |電影院|長片由 Iambic Productions 和 Triple X Rupa Leah aus dem Jahre 1995 mit Aleisha Bhavika und Ellsie Halévy in den major role, der in NWS 9 Group und im Progéfi 意 世界。 電影史是從 Heran Lilia 製造並在 Flux TV 大會岡比亞 在 21 。 五月 六月 2002 在 6 。 11月2011.


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Star Wars: The Last Jedi 2017 小鴨 完整版 電影

Star Wars: The Last Jedi 2017 小鴨 完整版 電影






Star Wars: The Last Jedi-2017 小鴨 在线-百老匯-線上看-百老匯-線上看-線上看小鴨-中国上映.jpg



Star Wars: The Last Jedi 2017 小鴨 完整版 電影


加标题于

Star Wars: The Last Jedi (电影 2017)

期间

197 摘录

赦免

2017-12-13

质量

MPG 1440P
BRRip

风格

Fantasy, Adventure, Science Fiction, Action

语文

English

投掷

Viggo
F.
Boby, Aline L. Grenier, Kirby G. Imene






一条艇上的全体运动员 - Star Wars: The Last Jedi 2017 小鴨 完整版 電影


Rey develops her newly discovered abilities with the guidance of Luke Skywalker, who is unsettled by the strength of her powers. Meanwhile, the Resistance prepares to do battle with the First Order.
I got so high before going in to see "The Last Jedi" it's a wonder I figured out how to get into the theater. We started rocking the shatter bong hardcore, just pump it, pump it, till you can actually feel your brain melting, then hit that nail and do it again and again. At some point somebody asked the question "where are we?" and while I was reflecting philosophically on the matter, somebody else pointed out that we were parked in a lot by the cineplex and we slowly realized that we were here to see 'The Last Jedi'! I could barely function at all, so I went to my old go-to routine of donning dark glasses and a white cane to help disguise my complete stonification by pretending I was just some poor blind guy stumbling around and knocking things over. I usually do this to get past security at rock concerts and it never crossed my mind that a blind guy wouldn't be able to see a movie in the first place, but it worked anyway and soon enough we were in our seats. There were these fucking kids sitting right behind us and they kept kicking my seat like little retards, kicking, kicking, kicking.... so I took the lid off my extra-large Coke and just tossed it over my shoulder. Bingo! Direct hit! The little creeps shuffled off all pissed and whining, covered in sticky cola, us laughing at them, calling them losers, it was great!

Then the movie started. The sound was awesome and everything but the screen was pretty freakin' dark I thought, could hardly make out anything. I started chanting "Turn up the brightness! Turn up the brightness!", expecting the rest of the audience to join in to my righteous chant of outrage, but then I realized I still had my Blind Guy Glasses on. Took 'em off and yup, cleared right up. There was some kind of big space battle going on so we took out our vape pens and started hoofing back lungfuls of sweet sweet shatter vapor. My girlfriend started texting me, bitching at me to pick her up some vag pads on the way home. WTF?? Get up off your fat ass and get 'em yourself I texted back. A barrage of bitchtexts followed, I was a jerk, I was an asshole and bla bla bla... I took a picture of my bare ass and sent it to her as a reply, fuckin bitch, anyway, apparently, this was considered 'indecent exposure' according to the usher-dork who wouldn't shut up about it so we had to leave the movie. We saw those stupid kids in the lobby as we were being escorted out, laughing at US, calling US 'losers'... I wanted to get back at them when they came out, even formed this elaborate plan where we would swoop down on them and soak them with freezing water this time, but we ended up just getting high again then went to Burger King.
My oldest son, as well as myself of course, wanted to watch this movie already before Christmas when it went up Geneva but it was pretty much sold out (unless you wanted to sit at the very edge of the theatre). I manage to book tickets for yesterday though so…here’s my ramblings about the movie.

As usual with these kind of movies, where there is a large following of fans, there is also many dissenting voices. Some people apparently are going as far as to want this movie to be undone. Well, my take on that is that these people need to grow up or let go or both. Luke is no longer a young farm boy running around saving the universe. The Star Wars universe and its characters are evolving and that is the way it should be and the way it is. Time for the next generation to pick up the torch.
Both me and my son really liked this movie. After the abysmal episodes I to III (Jar Jar Binks still haunts me in my dreams) I have really enjoyed the Star Wars movies.

I quite liked The Force Awakens but it is true that it felt a bit like a rehash of A New Hope. Not only does this one not feel like it is reusing old material (too much) but it also feels like it is opening a new chapter in the Star Wars universe.
The FX is as good as you have the right to expect from a Star Wars movie. The story is fresh and well developed. It will not win any Oscars of course but I liked it. It makes things evolve while at the same time giving enough room for action and a wee bit of humor.

The characters are almost all good and well played. I am looking forward to seeing more of most of them, especially, Rey and Poe. I’m not 100% convinced about Finn and Rose but I can live with them. Kylo Ren do not yet fill up the shoes of Darth Vader but he is showing promise. Contrary to Snoke I do feel he should put on a mask though.

The two characters I did not really like was General Hux and DJ. The first one was just incompetent. I’m not sure if he was supposed to be a bit of comical relief or not but, as far as I am concerned, we can do without him. DJ, well I guess he was supposed to not be liked so he did a good job of that but these kinds of assholes just frustrate me to no end. We never saw him actually meet his demise in this movie so if he is brought back I hope it will be for the sole purpose of rectifying that oversight…as violently and painfully as possible.

Of course, we saw a few new ships as well and as usual with the Empire bigger is better…or maybe not. Not sure what to say about these new designs. At least they did not look like a enlarged (except for the bridge) Star Destroyer like Darth Vader’s Super Star Destroyer.

One thing that really bugged me in the first battle though was the rebels’ so called “bombers”. What kind of bloody moron designed those? They were just so wrong in so many ways. The design itself was just silly looking. They were slower than a flee on a patch of tar. Seriously, a space bomber that crawls along? Actually, why make a “bomber” in space at all? That brings us to the biggest gripe of them all with this ludicrous design…dropping bombs vertically? In space? How the fuck do they fall?

Sure they looked somewhat cool when they dropped their bombs…if your knowledge of physics is on the level of your average politician (and obviously a few Hollywood employees as well).

Anyway, on the whole me and my son had two and a half hours of great fun watching The Last Jedi. I hope the next movie expands on the threads this one started. I have to say that I was a bit sorry about the feeble state of the resistance at the end, so I do hope the next writer will not let this drag on. One way to ruin Star Wars for me would be to turn Star Wars into some Battlestar Galactica variant with resistance survivors on constant run from the empire. Now it is time for the resistance to strike back, and for Rey to evolve her Jedi powers.
There is so much to love about _The Last Jedi_. I was very entertained watching this 8th _Star Wars_ saga film, I'll see it again, there's some truly beautiful scenes, all that jazz. But I am not fully on board with _The Last Jedi_. The film is a fun watch, and if you were to take it as a whole, then place it in a bubble, it's a pretty good movie too, but a lot about it is... Pointless. I'm not saying the movie was pointless, it has a lot to offer, and deserves its place as Episode VIII, but there are moments started within _The Last Jedi_ that end up being pointless by the time the credits roll, and more than that, it goes back to ideas from the _Star Wars_ saga as a whole, and makes them pointless too.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Really disappointing. Our heroes of Star Wars have essentially wasted their lives and achieved nothing.

We were promised sequels and got a retread. I for one would have loved to see the building of the Galactic Republic against terrorists of the Imperial Remnant. Instead, we got Failure Luke, Failure Leah, gone nowhere Chewie and a rebel alliance that appeared to entirely fail to do anything meaningful after episode 6.

I actually have less difficulty accepting 1,2 and 3 into canon then I do this pap. My headcanon has already decided, these movies do not count.
The Last Jedi started with a very tense emotion, capturing all viewers' attention tightly including mine (I've seen all movie episodes of Star Wars series so this type of scenario should look familiar to me).

This tense and epic feeling filled the entire film, so even it is a bit lengthy, people won't sleep over :) however, the scenes involving Rey and Luke on the isolated island planet look super quiet and mindful. It was similar to the scene in previous episode when Luke was seeking help from the Yoda Master. However, it felt more complex, because never had Yoda been described being evil, not a bit.

One tiny detail that I felt redundant and unconvincing was the reincarnation of Leia Princess. How did she fly back to the ship? As far as I can tell, no reason is given in the film. This lets you suspect whether she was going to be who can command the Force like a Jedi, but well all you can do is just suspecting.

Another critical option that I had to express was about the role of Kylo Ren. He is a complex character, and I am not sure that he believed in until the very end of the story. The climax of this complexity arrived at the scene when he killed Snoke and fought along with Rey, trying to persuading her to come for *a new world*. But this complexity simply came and disappeared. The story continued in the old way and our powerless always furious Ben Solo kept playing a simpleton role of any typical bad guy. The role is depicted as, adequately complex, but not consistent and lively enough (compared to the former Lord Darth Vader).
Star Wars: The Last Jedi – This Is Not The Film You’re Looking For

Star Wars: The Force Awakens kicked off the Sequel Trilogy and many proclaimed the movie has returned Star Wars back to form. Though the plot of the movie is literally the same as A New Hope, The Force Awakens invoked mysticism of the characters and plot elements and raised numerous unanswered questions that would hopefully be answered in the next installment. Star Wars: The Last Jedi follows directly after the events of Star Wars: The Force Awakens and though the film attempts to hurl the Star Wars franchise into newer territory, the Last Jedi is a visually stunning spectacle that managed to undermine everything established in The Force Awakens and does great deal of disservice to our legacy characters.

Rey – Overpowered?

One of the biggest gripes I had with The Force Awakens was that Rey was insanely good at just about everything. She beat Kylo Ren, an experienced Force user, with no Force/lightsaber training, performed a Jedi mind trick with ease, flew the Millennium Falcon with little trouble, and managed to stop Kylo Ren from probing her mind. We were introduced to the mystery of Rey’s parents and her strength with the Force, neither of which are addressed in The Last Jedi. A relatively short passage of time occurs between films and Rey is even more overpowered than ever, receiving absolutely no training from Luke and she bests him (a Jedi Master!) in combat with no explanation as to how she is so strong with the Force. Luke in the Original Trilogy started off as a farm boy who has no knowledge of the Force until Obi-Wan teaches him about it. He received training by Yoda and failed miserably at combating Darth Vader, losing a hand and his lightsaber in the process. By the time of Return of the Jedi, Luke is established as being an experienced Force user who constructed a new lightsaber and is able to perform Jedi mind tricks. Rey, on the other hand, shows no signs of struggle and easily manages to lift boulders by the end of the film (Luke struggled to even concentrate and lift a small amount of rocks when training with Yoda). The film offers no attempt to address Rey’s Force strength and we’re left with having to accept she’s strong for no reason. Had there been a much longer passage of time between films, then it would be a bit more acceptable. However, her unanswered strength in the Force further solidifies the fact that she is overpowered. Rian Johnson has set her overpowered nature in stone and doesn’t leave much room for her character to grow and develop in Episode IX. All that we can expect for Episode IX is another showdown between Kylo Ren and Rey and it’s obvious that Rey will win.

Finn & Rose – The Canto Bight Tales

Finn was established in The Force Awakens as a former First Order Stormtrooper that became disillusioned with the First Order and decides to flee, getting as far away from the First Order as possible. Finn decides to stop running away when Rey gets captured by Kylo Ren, overcoming his fears and decides to take charge in rescuing her. He even directly battles Kylo Ren at the end, though he is easily defeated and severely injured. His character (and his arc) is tossed aside in The Last Jedi, delegated to being just a side character of no importance to the film’s plot. Finn is paired up with Rose (who’s just as bad as Jar Jar Binks) and go on a mission to Canto Bight to look for a master codebreaker to disable the First Order’s hyperspace tracker. The Canto Bight segment is easily the worst portion of the film that drives the pacing to a screeching halt, offers nothing of importance to the overall plot and results in no actual payoff. Finn and Rose conveniently find a hacker (DJ) when jailed for a parking ticket and manage to escape, freeing numerous abused horse-like animals in the process but leaving the slave children behind. When on board Snoke’s flagship, they are caught by the First Order and DJ reveals he tipped the First Order to save his own skin and for a monetary reward (So unexpected!). Finn battles with Captain Phasma, who is quickly discarded and they steal a transport to Crait. During the Battle of Crait, Finn is given a tremendous moment to shine as a hero when he decides to sacrifice himself by flying the vessel directly into the Death Star-like battering ram, but is pushed out of the way by Rose who delivers a cringe-worthy line of “saving what we love.” This moment will forever solidify Rose as the worst Star Wars character and steals Finn’s moment of glory. His sacrifice would have given Finn a solid character arc from a cowardly First Order deserter to being a heroic figure who gave his life to save others. Rose’s idiotic choice could have resulted in the First Order wiping out the Resistance and she will always be remembered as the character that managed to be worse than Jar Jar Binks.

Poe v Holdo – Dawn of the SJW

Poe Dameron is an exceptionally skilled pilot that planned a calculated attack on the First Order Dreadnought and though his plan to destroy the Dreadnought resulted in numerous Resistance casualties, Poe is successful at destroying the Dreadnought, but is immediately demoted by General Organa (Leia) and command is given to Vice Admiral Holdo (Purple Haired SJW). Poe knew the risks of war and deemed it necessary at the moment to destroy the Dreadnought and had he not acted on his gut instinct, the Resistance would have been completely obliterated. Instead, he is treated like he’s a bumbling idiot and Holdo refused to even notify Poe of the plan with the escape pods. It honestly feels as if this film has an SJW/Feminist agenda that strongly attempts to make the male characters (Poe, Hux, Kylo Ren, etc.) as nothing but idiots and elevates the women to a level of superiority. Politics will always have a place in the Star Wars franchise (the Prequels were built upon a politically driven foundation), but not in this shape or form. Even though Poe’s plan of destroying the Dreadnought was successful and allowed for the Resistance to escape, he is seen as unhinged and acting out of line by Holdo, never once acknowledging Poe for his heroic action of practically saving the Resistance. Poe is denied the opportunity of being the heroic figure, but it was perfectly acceptable for Holdo to sacrifice herself by flying the Resistance cruiser through Snoke’s ship. Holdo did nothing memorable to deserve a heroic sacrifice and it’s absolutely disgraceful that Poe’s character is painted as this unhinged, reckless pilot who is made out to be an idiot for his actions. Poe deserved a much better character progression in this film. As for Holdo, she was placed in this film for the sake of having a woman be in charge for no apparent reason other than to drive the fact that the man (Poe) is an “idiot” and the woman (Holdo) is the “superior, intelligent figure.”

Snoke – In The End, It Doesn’t Matter

Supreme Leader Snoke was set up to be the mastermind pulling the strings of the First Order and the next main villain after Palpatine. He is portrayed as a mysterious, disfigured individual who’s strong with the Force and swayed Ben Solo to the Dark Side. In The Last Jedi, he is seen dressed in golden robes in a red throne room and his royal Praetorian Guards protecting him. He displays a tremendous amount of strength in the Force by conjuring Force lighting directly into the ground and sending Kylo Ren flying back and suspending Rey in the air in an intensely painful Force grip. He even was able to merge the minds of Kylo Ren and Rey together across the galaxy using the Force. He was set up to be this figure who’s just as powerful and intimidating as Palpatine. But alas, Snoke is immediately discarded in the film and dies in a very unsatisfying manner. Who he is, where he came from and how he rose to power no longer matter: He’s just an extremely powerful and disfigured individual with no provided background information. Snoke decides it’s smart to place Luke’s lightsaber on the throne’s arm rest and continues to taunt and insult Kylo Ren with Rey on the floor. He orders Kylo Ren to kill Rey and gloats that he knows what Kylo Ren is thinking. However, Kylo Ren slowly moves Luke’s lightsaber towards Snoke with the Force (How Snoke or none of the Praetorian Guards notice is beyond comprehension). He then ignites the lightsaber, which impales Snoke and is then cut in half, the top half of his body tumbling to the floor. His death also puts the numerous fan theories to death. Snoke no longer matters.

Kylo Ren – Still Throwing Tantrums

One of the best aspects of the film is not Luke Skywalker: it’s Kylo Ren. Right off from the start, Kylo Ren is insulted and scolded by Snoke, which causes Kylo Ren to leave the throne room and smash his mask into pieces. Kylo Ren is still shown to struggle with the Dark Side and when the opportunity comes to blow up the command bridge Leia is on, he hesitates and decides against killing his own mother. Kylo Ren seemed to solidify his status as a villain in The Force Awakens when he killed Han Solo and in this film, he questions his own intentions and through his Force communication with Rey, the idea that Kylo Ren could be redeemed is brought into question. It’s a very interesting idea seeing Kylo Ren possibly turning back to the Light Side. The team-up between Rey and Kylo Ren was also another well-done idea that showed Rey realizing that she could possibly bring Kylo Ren back to the Light. Rey decides to see Kylo Ren in an attempt to turn him away from the Dark Side, then it’s revealed that Snoke manipulated the Force between them to lure Rey to him. After Kylo Ren kills Snoke with Luke’s lightsaber, Rey and Kylo Ren team up with each other and take on the Praetorian Guards in one of the greatest combat sequences in all of Star Wars. Kylo Ren is able to easily defeat many of the Praetorian Guards and when it seems that Kylo Ren will turn away from the Dark Side, he asks Rey to join him by his side. Disillusioned by the fact that Kylo Ren just wanted to overthrow Snoke and assume leadership of the First Order, Rey and Kylo Ren engage in battle and destroy Luke’s lightsaber in the process. The idea of establishing Kylo Ren as the main villain of the Sequel Trilogy is quite intriguing and allows for more room to develop Kylo Ren into the ultimate villain, though it came at the cost of killing off Snoke. Overall, Kylo Ren is a very solid character with a more defined vision of being the leader of the First Order.

Leia Organa-Skywalker – I’m Mary Poppins, Y’all!

Sadly, this film marks Carrie Fisher’s final film appearance due to her death in late 2016. It was great to see more Leia in this film, though her role is largely downplayed and does not get a moment to shine like Luke and Han. Leia has been shown in past films to be Force-sensitive, but the way this film portrays her Force abilities is beyond terrible. After the command ship’s bridge is blown up, Leia gets sucked out into the vacuum of space and is assumed to be dead. However, she opens her eyes and is shown to have actually survived. She reaches out her hand and proceeds to literally fly towards the main Resistance cruiser that makes her Mary Poppins in space. We all knew Leia was Force-sensitive, but the way her Force abilities were portrayed was executed horribly. No one talks about or brings up Leia surviving while in space and Leia herself doesn’t even speak about it at all for the remainder of the film. She is hospitalized on the ship and command is then given not to Poe, but to Vice Admiral Purple Hair. Prior to her Mary Poppins moment, Leia berates Poe for his successful plan in destroying the Dreadnought and demotes him on the spot. Why is Leia so upset over Poe’s plan? Poe knew the risks in launching the attack and his plan resulted in the destruction of the Dreadnought and possibly killed thousands of First Order members. Leia and Holdo seemed to just team up on Poe, labeling him an idiot for launching a successful attack. Despite these issues, Leia should have been the one to fly the cruiser directly through Snoke’s flagship, it would have been the honorable way to send off Leia, allowing her to have a truly shining moment. Her Mary Poppins Force moment absolutely defies how the Force works. With the death of Carrie Fisher, her final performance as Leia ends on a quite dim note and she deserved a much better send-off.

Luke Skywalker – This Isn’t The Jedi You’re Looking For

After the cliffhanger of Rey handing Luke his blue lightsaber on Ahch-To, the fan base was eager with joy on what direction the story will go with the reveal of Luke Skywalker. Luke holds his original lightsaber and has a look of mixed emotions, then the unexpected happens: Luke throws the lightsaber over his shoulder and storms off. What should have been an epic moment in Star Wars history was turned into a moment for a cheap laugh. I take this scene as a metaphor for The Last Jedi: J.J. Abrams handing over The Force Awakens to Rian Johnson, who proceeds to throw out just about everything established in The Force Awakens for the sake of being “different” just because. Though I praise Mark Hamill’s epic performance as Luke Skywalker and honestly love Luke’s portrayal, the direction they placed for Luke was severely underwhelming. Luke reveals he traveled to Ahch-To for the sole purpose of wanting to die, which goes against what Han said about him seeking out the first Jedi Temple. So what was the point of the map in the previous film if he didn’t want to be found? Then in a flashback, he actually considered killing his own nephew at night by creepily sneaking into his hut and probing his mind, then discovers a lot of darkness and corruption by Snoke. So instead of confronting his nephew during the day, he considers killing him in his sleep? This is the same Luke that sensed the good in his father Darth Vader and personally went on a mission to bring his father back to the Light, of which he ultimately succeeds. Yet, because he probed Ben Solo’s mind and saw darkness, Luke deemed it necessary to just flat-out murder his nephew? This felt extremely out of character for Luke to even consider doing such a thing. This is also the same Luke that went out of his way to save the Rebellion, fought alongside the Rebellion, and played a major role in the Empire’s defeat. Then in this Sequel Trilogy, he gives up and lives in isolation after the massacre of his Jedi Academy, doesn’t seem to care at all about the rising threat of the First Order, and shuts himself off from the Force. Later in the movie, he has a change of heart and appears on Crait, walking directly towards the army of AT-M6s, AT-ATs, and AT-STs. He and Kylo Ren duel, though Luke doesn’t swing his lightsaber once and simply dodges all of Kylo Ren’s hits. Kylo Ren impales and slices Luke, but nothing happens and in a “twist”, Luke is revealed to be Force projecting himself and did not leave Ahch-To at all. He fades away from the battle, leaving behind a furious Kylo Ren. At the end of the film, Luke stumbles over on the rocks he was sitting on and looks out into the horizon, sees two suns (reminiscent of A New Hope) and dies, becoming one with the Force. Though I praise the idea of using a Force projection, it does a great disservice to Luke Skywalker’s character and undermines his character’s growth from the Original Trilogy. Luke should have physically appeared on Crait and demonstrated his vast strength in the Force by easily destroying the artillery and engaging in a fierce duel with Kylo Ren, but ultimately loses and is struck down by his nephew. That would have given tremendous emotional depth to Luke and be a showcase on how far along Luke has grown with the Force.

Other Bad Moments In The Last Jedi

Like all Star Wars films, The Last Jedi features a lot of flaws and some very questionable moments that don’t do this movie any justice:
- Humor has a place in Star Wars, but not to the point of distorting the tone of the film, making it seem like a Marvel film (ex. Poe trolling Hux at the beginning of the film was cringe-worthy and feels out-of-place).
- General Hux was honestly a sinister figure in The Force Awakens. He is turned into a complete incompetent fool in this film and is oblivious to the fact he’s being prank called by Poe.
- Captain Phasma was again underutilized and despite putting up a strong fight against Finn, she is quickly killed off. What was the point of bringing back Phasma?
- Canto Bight killed the pacing of the film and resulted in no beneficial pay-off to the movie’s overall plot.
- Rose preaches about the rich being bad people for selling weapons to the First Order and feels the need to preach about the abuse the race animals face, yet offers no sympathy at all to the slave children.
- The final scene featuring the young slave child using the Force to pull the broom gives the idea that anyone can use the Force with no training whatsoever.
- Luke doesn’t seem to react at all when he learns of Han Solo’s death.
- No Knights of Ren in this film, not even a mention or any clue as to their whereabouts.

Other Great Moments In The Last Jedi

Despite the numerous issues that plague this film, The Last Jedi features a lot of great moments that truly shine:
- The opening scene and subsequent assault on the Dreadnought was very action-packed and felt like a true Star Wars film
- The final battle on Crait, though highly reminiscent of the Battle of Hoth, was phenomenal and the idea of using a Death Star-like battering ram was well-executed.
- Snoke’s throne room battle between the Praetorian Guards against Rey and Kylo Ren is honestly one of the greatest battles in all of Star Wars. It was well-choreographed, tense, and demonstrated how powerful a team Rey and Kylo Ren make.
- Finn and Captain Phasma’s battle was spectacular and seeing Phasma deflect a blaster shot with her armor was amazing.
- Rey and Kylo Ren’s Force communication added much needed development to both characters and added a layer of depth to their own motivations.
- Luke’s interactions with Rey were well-done, especially when Rey literally reaches her hand out to the Force, Luke plays along and brushes a leaf against her hand.
- Chewbacca feasting on a Porg and a group of Porgs look at him with fear in their eyes.
- Luke seeing R2-D2 on board the Millennium Falcon and R2-D2 plays the original message by Leia.
- Yoda’s appearance as a Force ghost and knocking some sense into Luke.
- Holdo flying the Resistance cruiser through hyperspace at Snoke’s flagship, resulting in the destruction of numerous First Order ships.
- Luke confronting the First Order on Crait, of which Kylo Ren orders them to fire at Luke with all their artillery. Luke walks out of the smoke undamaged and dusts his shoulder off.

Closing Comments

Despite the film having moments of greatness scattered throughout its runtime, The Last Jedi is heavy on flaws that are magnified as the film progresses. The film seems to take the quote “Let the past die, kill it if you have to” to heart and literally kills the history of what’s came before, especially The Force Awakens. Just about everything established in The Force Awakens is simply swept under the rug. The end of the film places the Resistance back to the same state the Rebellion was at in A New Hope. Why is this new trilogy just simply repeating the past? Though Rian Johnson is a fantastic director, he simply does not work for Star Wars and proves with The Last Jedi he has no understanding of how Star Wars works, especially with regards to the Force. The Force is treated more like a superpower that anyone can attain with no training required. The Last Jedi is far from being the worst Star Wars film, but is still far from being the best. J.J. Abrams is slated to return to the franchise to direct Episode IX and will attempt to fix the mess that Rian Johnson left behind with this new trilogy. Help us, J.J. Abrams. You’re our only hope.

Rating: 6/10
Completely obliterates established Star Wars lore.

The writers of this film have no respect for Star Wars nor do they have an imaginative bone in their body. I felt like I was watching a shonen jump anime with the overuse of comic relief and usually placed in the most awkward moments. It was a desperate attempt to copy Marvel movie writers and failing miserably. The way they presented Luke Skywalker was an abomination and the story of the film was just plain boring and didn't make sense in so many places that listing it here would be so long that it would put you to sleep. I had to watch the film in 3 sittings it was so bad. Disney has now properly fucked Star Wars.
The last jedi is clearly the last SW movie I`ll ever see. Everything was bad. Story, casting, acting, CGI, everything.. I just want my 2 hours back.. please..
"Not the best but certainly the most overhyped"

As the Rebellion tries to evade The First Order, Rey asks Luke Skywalker to teach her the ways of the Force. Meanwhile Kylo Ren is still a whiny POS.

Director/writer Rian Johnson faced a gargantuan task. Two years ago J.J. Abrams did the impossible by making a successful sequel to ‘Star Wars’. Johnson had to follow that up with something more creative because let’s be honest, ‘The Force Awakens’ (TFA) was a copy. He succeeds partially.

When the movie started there were cheers. It doesn’t get any better than the iconic opening crawl with John Williams’ score. Although there’s a certain resemblance to ‘The Empire Strikes Back’ (opening scene, Luke on the remote planet) ‘The last Jedi’ isn’t a copy. Johnson has came up with a more or less original story with new characters and some twists.
However, the problem with some of the new characters is that they get too much screen time while contributing nothing to the story. In some cases up to the point where they’re just plain annoying. Benicio Del Toro anyone? Meanwhile we find out nothing new about the characters we got to know in ‘TFA’. Rey, Finn & Dameron still feel new.

The villains are another problem. The most iconic part about ‘Star Wars’ has always been the villains. Darth Vader is an icon. Emperor Palpatine and Darth Maul were also quite impressive. Without spoiling anything I think it’s safe to say Kylo Ren (who’s still suffering from huge mommy and daddy issues), Supreme Leader Snoke & General Hux are terribly underwhelming.

That of course doesn’t mean it’s a bad movie. Although it runs too long it entertains. The effects and choreography are top notch and the overall look of the film is stunning. DOP Steve Yedlin does a fine job. The final battle looks amazing ( the red stripes on the salt plains). Although there’s a bit too much humor for our liking, there’s some genuine funny moments. The Porgs have a bright future ahead of them marketingwise.
Of course there’s the nostalgia factor. It’s great to see those familiar faces again and the sound of lightsabres and TIE fighters are music to our ears.

On the other hand it’s obvious Johnson and Disney want to go down a new path. Whether that path is the right one remains to be seen. With the announcement of a new trilogy coming up it feels like they’re milking it. And you can take that literally. What’s up with that milk scene? Cringeworthy.

The biggest problem is that ‘The Last Jedi’ is incredibly hyped. There are reviews that say the movie is dark and that it’s the best since ‘The Empire Strikes Back’. I know opinions can differ but it doesn’t come close to any of the original trilogy.
This one killed the franchise! I have been watching Star Wars movies since they started literally, going to the theater and enjoying the fun. Love the original three. Liked the prequels well enough. I even enjoyed the cute little Ewok movies, with the kids.

These later films have been a mixed bag. Most were watchable enough, though not really the caliber of the old films Sure, the effects are great, but a good movie needs more than special effects and cool alien makeup and some fun droids.

This movie was seriously disappointing. Everything about familiar characters was changed, and the plot was so busy with pushing some weird agenda that it failed to deliver any of what we go to a Star Wars movie to see. At this stage, I couldn't care less about the newer characters, and the whole "Mary Sue" aspect to the one main girl (see, I can't even recall her name!) is just annoying. This film w bad enough that the dedicated SW fanboy in my household just quit watching, and actualy, for the first time ever, skipped the following movie entirely.

So, congrats, Disney; you killed one of the most successful franchises ever.
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Finally, I managed to watch one of my most anticipated movies of 2017! I am an authentic fanboy of the Star Wars saga and I loved its return two years ago when The Force Awakens was released. Everything looked better, sounded better and the story certainly didn't disappoint me. So, obviously, I was extremely looking forward to The Last Jedi.

Apparently, critics love Episode VIII but fans not so much. Me, well ... I don't LOVE it, but I do enjoy it very much. I do think it is a bit below the previous film's overall quality since it definitely has some issues the first one did not. I am also confident that I know why the fans are not loving this movie and I will explain that after a few paragraphs.

This time, I am going to start at the other side of the spectrum. I will begin my review with the film's problems because I do need to get them out of my mind, especially this one ... The subplot involving Finn (John Boyega), Rose (Kelly Marie Tran) and DJ (Benicio Del Toro), some of the few new characters added to the franchise, completely ruins the movie's pacing and its narrative is such a tremendous deviation from the main story. It is, by far, the worst issue I have with the screenplay because it does not work as one single problem ... It creates a whole other set of them.

The first act's pacing is really fast since it starts with tons of action sequences. However, the second act decreases the rhythm and it is more story-driven, full of mystery-unlocking and character-development scenes. Finn and Rose's nonsense adventure just turns everything slower and even strange. It ends up needlessly extending the runtime (the film could have easily been 15min shorter) and worse ... Possibly creating a love triangle with Rey (I am not even going to discuss this).

Apart from this major issue(s), I have some minor problems. General Hux (Domhnall Gleeson) is a strong candidate to become the most annoying character in this new-generation trilogy. Gleeson is fine, he actually achieves a good over-the-top performance, but his character is just tumbling off the rails. Also, on a more technical aspect, the writing does not flow as well as it did on J.J. Abrams' screenplay. There are a lot more exposition scenes which also does not help the pacing at all.

I wrote earlier about the fans' reasons for them to be disappointed and well, the marketing for the movie did not lie: they do take a lot of chances with this one. Rian Johnson delivers a lot of twists and shocks throughout the whole runtime and it is impossible to assume that every single one of them is going to be mind-blowing and unanimously accepted. I do not want to give anything away from the plot, so I am just going to write that most of the choices and paths they choose for each character, I either simply accept them or I truly love them. As for the rest, I am, at most, underwhelmed (yet, I trust and understand the decisions they went with).

People need to learn how to deal with their own expectations. If you expect something utterly absurd and nonsensical to occur and then it does not, you can't blame the film for not following your crazy idea. So, please, don't start blabbing any movie is bad or disappointing because it didn't fulfill your ridiculously high expectations. Even if they are grounded and thoughtful, you have to embrace the production's approach to the character/story. If it makes sense, then it is as valid as any other theory. It might be underwhelming if you have high expectations, but it is still a serious take on whatever you are thinking.

This is why I think fans are not loving The Last Jedi. The production takes a lot of risks and some of them don't work with everyone, mostly due to fans' radical theories that don't have a place in the film. I think most people might change their initial opinion after a second viewing, myself included. Some things just need more time to process or even a whole rewatch. Since I do not have time to do it before the year's end, I am going with what I have.

Switching to the light side (hehe), I do enjoy this movie a lot. Every cast member that was great in Episode VII, transcends themselves in this one. Daisy Ridley is superb as Rey. She has such a massive range of expressions and I am sure her successful future as an actress is surely guaranteed. From the most emotional and somber moments to the most epic action scenes, she is awesome. Her character's mysterious backstory reaches a whole new extent and her interactions with Kylo Ren (Adam Driver) and Luke Skywalker inflict chills all over my body.

Mark Hamill's comeback can't be any more amazing than it is. He delivers a fantastic, emotion-full and very compelling performance. It is even more unbelievable knowing that Hamill had strong personal arguments against the director's interpretation of what was better for Luke. If he is this astounding working against his own idea of who his character really is, then I must praise his exemplary working principles.

Luke and Rey spend a big chunk of the runtime training on an unknown island and I love every single second filmed on that piece of land. I have to admit that I am a bit frustrated because I think the film should have more time with these two, but due to the issues mentioned in the beginning of my review, the runtime can't be much more stretched. I love what they did with Luke, even if some fans are going to go insane with his journey.

Adam Driver as Kylo Ren ... The undoubtful star of the whole show. Driver is becoming a menace to every actor working today because he is flawless. He has a powerful, dark, mysterious, compelling and commanding display as one of the most complex and multi-layered characters of the Star Wars saga. Ren's conflict inside his mind and heart is the most captivating feature of his story and his interactions with Rey are so jaw-dropping spectacular that I can't even describe them properly.

John Boyega is once again great as Finn, even though he is part of that horrible subplot. Boyega delivers a convincing performance and Finn shines through some awesome action set pieces. Kelly Marie Tran is actually good as Rose, it is just a pity that her character suffers from the narrative, even though her backstory is pretty touching. Chewbacca (Joonas Suotamo) and the Porgs, the new cute animals implemented in the Star Wars universe, have all the funny scenes plus some action here and there.

Oscar Isaac is quite lucky because Poe Dameron unquestionably has the best subplot of the movie. Isaac offers a very passionate display as Poe goes through some significant character development. His impulsive instincts to attack the bad guys always have consequences and he is put in check by Leia (Carrie Fisher) during the whole time. It is a very interesting and twistful story that elevates the film's main plot.

Carrie Fisher is elegant and beautiful as Leia, a character that has a lot more screentime than what I expected. I always love seeing Fisher on the screen and she makes everything a bit more realistic to me. Andy Serkis is remarkable as Supreme Leader Snoke, but his character is yet another plot's detail that fans are not going to appreciate so much. I still feel underwhelmed by Snoke in this movie for several reasons, but after some thinking, I do understand his role in the film and his moments are indeed intimidating and dominant.

Rian Johnson work as the director is better than him as the writer. The visuals effects continue to be wonderful and the practical settings are beautiful, once again, there is a lot less CGI than you probably think. Excellent cinematography and the John Williams' score induces enormous levels of nostalgia and excitement. The action sequences are mind-blowing, the stunt work is phenomenal and there are tons of pure epic and awesome scenes.

The main plot includes a very dark and mysterious side to it that I thoroughly love. A lot of unexpected twists and turns make The Last Jedi more original than The Force Awakens, even if one or two plot points might be underwhelming, and it also has a very well balanced tone. Finally, a thrilling, breathtaking, action-heavy third act ends the film with magnificent glory and with many heartfelt moments.

All in all, Star Wars: The Last Jedi delivers something that I can be proud of experiencing. Terrific performances from the cast, but a flawlessly powerful display from Adam Driver as Kylo Ren steals the spotlight. Rian Johnson takes a lot of risks with decisions that will make the fanbase debate for years and while I find most of them truly jaw-dropping, a few left me underwhelmed. The main story keeps its obscure mystery while packing some jaw-dropping, epic action sequences and excellent character-development scenes. Nevertheless, it departs from JJ’s visual storytelling, delivering a more exposition-heavy screenplay and some pacing issues bring the movie down, largely due to the unnecessary detour of the subplot involving Finn and Rose. In the end, it still belongs to my top half of the saga, fighting for the 4th spot with Return Of The Jedi and Rogue One.

Rating: B+



剧组人员

協調美術系 : Soult Yousha

特技協調員 : Lawson Bernita
Skript Aufteilung :Khali Anglia

附圖片 : Idrissa Rashid
Co-Produzent : Mandel Briley

執行製片人 : Blondel Darian

監督藝術總監 : Niels Lochlen

產生 : Benas Duchamp
Hersteller : Hasna Mussey

演员 : Kailee Jazmyn



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分類 : 歐洲 - 想法, 人類 - 永生, 天空 - 束縛傳記

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生產 : Emerald Films



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Star Wars: The Last Jedi 埃斯特(數學)目標-愚蠢自由 |電影院|長片由整體藝術和 JN製作Mihnea Badis aus dem Jahre 2013 mit Sibra Forest und Bayrou Annisa in den major role, der in Promenade Pictures Group und im SET Productions 意 世界。 電影史是從 Efan Naqib 製造並在 Nordic Productions 大會馬紹爾群島 在 4 。 五月 六月 1984 在 24。 十月2003.